McCutcheon's Memorial Day Arch

May 30, 2010

Remembering all who "gave the last full measure of devotion" to their country...


John T. McCutcheon's "Design for U.S. Memorial Day Arch" editorial cartoon was published in the Chicago Tribune on May 30, 1915. The top of the arch proclaims the qualities that make our country great, such as Honor - Justice - Unity. McCutcheon goes a step further by naming the two pillars which support those qualities: "Native Born Americans" and "Foreign Born Americans." Something to remember this Memorial Day as we recall the sacrifices that men and women, past and present, have made and are making today in order to protect our great nation and uphold the distinguishing characteristics of our country.

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Myra Bradwell: Practicing Law is no Place for a Lady

May 27, 2010


Indomitable Myra Bradwell of Chicago, Rejected by the U.S. Supreme Court, Set Her Own Precedents

By Joe Mathewson

With the exception of Mrs. O’Leary, women were not prominent in Chicago’s early history. Limited by tradition and by law, they played supporting roles to their husbands.

Myra Bradwell, a wife and mother, was informed sternly and in no uncertain terms that that was her proper role in life, too. There was no appealing that unwelcome restriction, for the authors of it were justices of the United States Supreme Court. They were explaining why they were denying her application to practice law in Illinois. Their reasoning had nothing to do with her qualifications, which were excellent, and little to do with constitutional law.

In its majority opinion (there was one dissenter, Chief Justice Salmon P. Chase), rendered in May of 1873, the Court held simply that admission to the bar was for each state to decide. And the Illinois Supreme Court had decided. It had turned Mrs. Bradwell down, declaring that a woman could not become a lawyer in Illinois for the simple reason that the state had adopted the English common law, which did not contemplate such a possibility.

What made the U.S. Supreme Court’s decision especially noteworthy was not so much the judgment itself, which was wholly in keeping with the Court’s well-known disposition at that time to protect property rights more than individual rights, but a remarkably un-legal concurring opinion written by Justice Joseph P. Bradley and joined by two of his colleagues:

The paramount destiny and mission of woman are to fulfill the noble and benign offices of wife and mother. This is the law of the Creator. And the rules of civil society must be adapted to the general constitution of things, and cannot be based upon exceptional cases. . . [I]n view of the peculiar characteristics, destiny, and mission of woman, it is within the province of the legislature to ordain what offices, positions, and callings shall be filled and discharged by men, and shall receive the benefit of those energies and responsibilities and that decision and firmness which are presumed to predominate in the sterner sex.

Bradwell v. Illinois, 83 U.S. 130, 141-42, Justice Bradley, concurring (1873).


One can imagine how Myra Bradwell must have felt. Then 42 years old, she had worked long and hard in her husband’s law office to pass the bar examination. Years later she would tell the Chicago Daily Tribune, “I acquired the idea from helping my husband in his office. I was always with him, helping in whatever way I could. Thus I picked up a considerable smattering of law and about five years after our marriage I determined to read in good earnest.”

Illinois law at that time stated that any adult “person” of good character and with sufficient knowledge of the law could be admitted to the bar. Mrs. Bradwell looked to the Fourteenth Amendment, enacted after the Civil War, which prohibited any state from abridging the “privileges and immunities” of U. S. citizenship. Confident she was in the right, she even retained a United States senator, Matthew Hale Carpenter of Wisconsin, an advocate of women’s rights, to argue her case before the Supreme Court. But the justices held that admission to the bar was not among the privileges and immunities of citizenship.

With that rejection, surely she was crestfallen, perhaps totally defeated. But not so. Not Myra Bradwell.

While studying law, Bradwell had founded a newspaper, the Chicago Legal News, which by 1873 was the leading law periodical in the Midwest. It carried legal news, summaries of court opinions, and the texts of newly-enacted Illinois statutes. It soon became the official reporter of actions by the legislature. In time the paper began reporting decisions of the federal courts throughout the country, including the U.S. Supreme Court, and so gained a broad following.

The great Chicago fire of 1871 destroyed the paper’s offices but Bradwell retrieved the subscription book and soon resumed publishing from an office in Milwaukee. She reprinted back issues carrying opinions and statutes, so the Illinois legislature designated the paper the official publisher of all legal records lost in the fire.

Myra Bradwell also used the pages of the Chicago Legal News to advocate for social and legal reforms and women’s issues. She criticized conditions at the Cook County poor house and even the court house. Courageously, she spotlighted judges who were heavy drinkers. In 1873, the year the U.S. Supreme Court turned her down, she drafted for her husband James, then a member of the Illinois legislature, a bill he introduced giving women the right to run for school boards. It passed. He also successfully sponsored bills allowing women to become notaries public, to keep their own wages, and to have equal rights to the custody of their children after a divorce. Myra Bradwell was a friend of Mary Todd Lincoln; when the president’s widow was committed to an insane asylum in 1875 by her son Robert, Bradwell and others remonstrated, securing her release after four months.

In 1889 the Chicago Daily Tribune called Myra Bradwell “probably the best known woman journalist in Chicago . . . a woman of no mean business ability.”

The article went on: “Mrs. Bradwell is a handsome brunette; her winning manner and kind, sympathetic nature attract all who meet her. In her home she is a model of noble womanhood, a devoted wife, a fond and judicious mother.” She was one of a handful of Chicago women who played leading roles in securing and organizing the Chicago World’s Fair of 1893.

Myra Bradwell never again applied for a law license. But, as reported by the Tribune in April 1890, more than two decades after her application, “upon the original record, every member of the Illinois Supreme Court cordially acquiesced in granting, on the court’s own motion, a license as an attorney and counselor-at-law to Mrs. Bradwell.” Two years later the U.S. Supreme Court admitted her to practice there, too. Because her admissions were backdated to her application, she was belatedly recognized as the first woman lawyer in the United States.

Myra Bradwell never practiced law. Two years after the Supreme Court admitted her, she died of cancer. She was 63 years old.

Joe Mathewson teaches journalism at Northwestern University’s Medill School. He previously covered the U.S. Supreme Court for The Wall Street Journal and practiced law in Chicago. This article is adapted from his book, The Supreme Court and the Press: The Indispensable Conflict, to be published in fall 2010 by the Northwestern University Press in the Medill School’s “Visions of the American Press” series edited by David Abrahamson. Read more from Joe Mathewson on his site, Jmathewson's Blog.

Recommended reading:
Women's Legal History Biography Project: Myra Bradwell (an extensive list of links)
America's First Woman Lawyer:The Biography of Myra Bradwell by Jane M. Friedman
Myra Bradwell: Legendary Women of Causes
Myra Bradwell & The Chicago Legal News
Emphasis on women lawyers' femininity

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What Happened to Irene Pease Mantonya?

May 23, 2010


My good friend, architect, author, photographer and all around fantastic guy, Gregory H. Jenkins AIA, has presented me with a bit of puzzle. Yesterday he published a photograph on his website, "Chicago Sculpture in the Loop,"of a plaque on the Michigan Avenue Bridge. It isn't all that interesting at first glance, but a name on the plaque caught Gregory's eye and he contacted me for any additional information I might have. "Uh, sorry to disappoint, but I have no idea!" Googling commenced.

The first item I found was the above photo from the Chicago Daily News archives. The caption reads, "Informal portrait of Mrs. Irene Pease Mantonya sitting at a desk and writing with her head turned to look toward the camera in a room in Chicago, Illinois." I soon discovered that she was a Republican and the first woman appointed to Board of Local Improvements (thus her name on the plaque). You can see a picture of the opening of the Michigan Avenue Bridge here.) She was also a "designated alternate delegate to the Republican National Convention from Illinois, 1920." This last bit of information was listed under "Irene Pease Montana."

Encouraged, I pulled my copy of Women Building Chicago, 1790-1990 from the shelf. Nothing. And, yes I checked alternate spellings of her name. Odd because the woman had obviously achieved a milestone in Chicago politics at the time.

The archives of the Chicago Tribune was a bit more helpful. A July 16, 1919 article titled, "Presenting Lady Member, Board of Improvement" states she was married to Paul S. Mantonya, lived at 3163 Pine Grove Avenue and had a 21 year-old son at the time. You can read the entire article at the right. According to article, she had a long day and took quite some time to get used to her desk.

Other Tribune articles reveal that she accompanied Michael J. Faherty, President of the Board of Improvements and good friend of Mayor , on a European fact-finding tour of European subway systems. An article dated October 13, 1927 ("BERLIN STOPS ITS SUBWAY TO GIVE CHICAGO A TIP") is particularly interesting because it seems Irene's husband, Paul, was also on the trip.

The next time Irene pops up in the paper is in a piece headed, "30 CIVIL SERVICE EMPLOYES FIRED FROM CITY HALL." (June 1, 1928) It seems there were some secret political payrolls found and guess who was on one of the lists. Yep, Irene Pease Mantonya. She was listed as a "private contract supervisor" and was receiving $300 per month.

Politics was in the blood of the Pease family. Irene's father, James Pease, referred to as a Republican chief of the old regime" in his April 12, 1917 obituary, had gained his greatest power and wealth under Mayor Fred A. Busse. He had gone from being a paperhanger to a leader in the 25th Ward. After he quite the political game, he became a millionaire (Carterville Coal Company). It also states that Irene had two sisters.

But, that's all I've got. So, I'm turning to you, my readers. What happened to Irene? Did she leave public service? Chicago? Any remaining Pease family members around? Gregory and I would really like to know.

Photo credit: DN-0071158, Chicago Daily News negatives collection, Chicago History Museum.

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On Leaves and Libraries

May 22, 2010


I recently had the pleasure of reading The Last Leaf by Stuart Lutz. Perhaps it was the passing of my father late last year, but it had an impact on me that I would not have predicted.

The complete title is The Last Leaf: Voices of History's Last-Known Survivors. Over a ten-year period, Lutz tracked down and personally interviewed individuals who, as Bernard Edelman states in the Foreword, are "footnotes to history." These are the men and women "who witnessed or experienced events of historical, technological or social significance in the turbulent and tempestuous twentieth century." They are the last leaves clinging to historical branches on America's collective family tree.

There are almost forty interviews including Dr. Albert Wattenberg, the last surviving physicist to witness the first controlled nuclear reaction at the University of Chicago under the direction of Dr. Enrico Fermi and Thomas Brewer, the little boy who drew the names of the jurors for the Scopes Monkey Trial of 1925. The Dayton, Ohio science teacher, John Scopes, was defended by Chicago's own Clarence Darrow. You will also read how clever Rose Freedman was able to escape the Triangle Shirtwaist Factory Fire of 1911 and three-year old Barbara Anderson McDermott survived the sinking of the Lusitania in 1915.

Each is a wonderful, powerful story, and I heartily recommend the book. But, while the stories are impressive, what really started me thinking about the impact of the book was Lutz's short "Afterward." With a bit of urgency, I have personally taken his recommendation to heart and recently presented my mother with a stack of blank notebooks. "Here you go, Mom. Tell me about my family." Sure, I have heard a few stories of how my steel-town grandparents lived through the Great Depression and how my Mom used to pick up warm tar from the street to clean her teeth. (She saw a dentist for the first time after she and Dad were married.)Unfortunately, with Dad's death, a last leaf fell and now there are stories that will never be told. So, to all of you who have yet to record the history of your family, I encourage you to take Mr. Lutz's suggestion to heart ...before your own last leaf falls and the library is closed...

AFTERWORD

There is an old African proverb that says “When an old man dies, a library burns to the ground.”[i] At the time of this book’s publication, about three-quarters of the Last Leaves have died. Every time one passes, our national memory dims slightly.

As an historian, I have long thought that an individual’s stories - tales filled with bravery, innovation, tragedy, luck, exploration, risk, loss and humor - are as important as an event’s larger significance. While many of us will not actively change the great river of history, few are unaffected by its strong currents. Many of us create our own tributaries, whether by chance or by intention.

Yet today, future Last Leaves walk among us. There are people who have witnessed great occurrences, or participated in important technical, military, cultural and social events. Some of these have already happened, a number of them are occurring now, and many more are destined to take place. And those future Last Leaves will live decades after their events and will recount their personal histories for many years to come.

If you are a young reader of this book, ask your grandparents what it was like to grow up during the Great Depression, in a segregated country, or through the turbulent Vietnam era. If you have children or grandchildren, please tell them your memories and about our country’s history, the beautiful, the heroic and the heartbreaking. All these stories are part of their own future narrative. We all build libraries of our own lives.

[i] http://www.bookbrowse.com

From Stuart Lutz, The Last Leaf: Voices of History's Last-Known Survivors (Amherst, NY: Prometheus Books, 2010); www.prometheusbooks.com. Copyright (c) 2010 Stuart Lutz. Reproduced by permission of the author and publisher.


NOTE: You can also follow The Last Leaf on Facebook.

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Chicago History and Facebook: A Match Made in Cyber Heaven

May 19, 2010


History meets pop culture on the social media sites. The Journal has been on Facebook for quite awhile, but new topic pages are popping up every day. Those of you who follow the Journal's page know that the almost daily posts are different than those published on the main site and include links to articles on history and new media. Didn't know that? Take a look at the big box in the far right column titled, "The Chicago History Journal on Facebook." Most entries also appear on ChiHistJournal Twitter, but not all. Best idea is to "Like" and "Follow" each.

CHJ Facebook, however, is not the only Chicago history related Facebook site, not by a long shot. Additional examples include Haymarket Riot, Chicago 1886 and Admirers of Clarence Darrow These are two of the best. Bertha Palmer has a page as does Theodore Dreiser. Frank Lloyd Wright has several pages and Daniel Burnham is also well represented.

Three new pages have shown up recently: World's Columbian Exposition and Century of Progress. Not much to see yet, but it will be interesting to see where they are going. A different page dedicated to the Fair, World's Columbian Exposition, 1893, is a bit more active and has lots of pictures.
Another new entry has been the Chicago Studies program of the University of Chicago.

History related films and books plus most Chicago museums have also set up shop on Facebook and I personally think it is a good. Let's "face(book)" it; for both the curious, scholar and the fan, history in small bytes goes down easy.

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The Wizard of Oz Man: L. Frank Baum

May 15, 2010

"And remember, my sentimental friend, that a heart is not judged by how much you love, but by how much you are loved by others." - L. Frank Baum


"Although the career of a literary or professional man seldom exhibits any of those striking incidents that seize upon public feelings and fix attention upon himself, the late Lyman Frank Baum proved an exception to the rule. From maturity until his death his career was one of laborious yet enjoyable and contented literary effort, and the high distinction which he attained was evidence that he possessed genius of an extraordinary quality. There never has been an author of juvenile stories who attained wider popularity among children or who found his way into the hearts and affections of readers of all ages, as did Mr. Baum. For, although his work was almost exclusively dedicated to children, there were many of more mature years among his readers who found keen enjoyment in his delightful whimsicalities, which enabled them to live over again their own happy childhood, while following the adventures of The Wonderful Wizard of Oz and his many mythical, amusing and entertaining associates.

"L. Frank Baum was born at Chittenango, New York, May 15, 1856, a son of Benjamin Ward and Cynthia (Stanton) Baum. His father, one of the earliest oil men, owned rich possessions in the Pennsylvania fields, and both John D. Rockefeller and John Archbold were at one time in his employ. Mr. Baum received an academic education at Syracuse, New York, which was later supplemented by instruction from a private English tutor.

"When the "Wizard of Oz Man"(as he was for many years affectionately called) was but twelve years of age, his father presented him with a printing press, upon which, for some time, he indulged his literary tendencies by publishing a paper known as "The Roselawn Home Journal," "Roselawn" being the name of his father's estate near Syracuse. His first public writings were in the line of newspaper work in New York, Pennsylvania and Chicago. From 1888 to 1890 he was owner and editor of the "Saturday Pioneer," at Aberdeen, South Dakota, and from 1897 to 1902 he owned and edited "The Show Window" at Chicago.


"Mr. Baum became a playwright early in life, his "Maid of Arran" having been produced in New York in 1881. In the following year, in the same city, appeared "Matches," which was followed in 1884 by "Kilmorne," produced at Syracuse; in 1885 by "The Queen of Killarney," produced at Rochester; in 1902 by "The Wizard of Oz," produced in Chicago; in 1905 by "The Woggle Bug," produced in Chicago; in 1908 and 1909 by the "The Radio Play" (motion pictures of Baum's Fairy Tales), produced at Chicago and New York, and in 1913 by "The Tik Tok Man of Oz," produced in Los Angeles.

"It was as a writer, however, more than as a playwright, that Mr. Baum is best known. For more than twenty years he wrote children's and other stories for various magazines, including St. Nicholas, Youth's Companion and others. The possessor of a rare whimsical style that was of preeminent appeal to children, during his life he took place in the front rank of writers of juvenile fiction. His first published book was Mother Goose in Prose, which appeared in 1897, and the drawings for this story were the first book illustrations done by Maxfield Parrish. Its success encouraged Mr. Baum to further effort, and the next work to appear from his own pen was By the Candelabria's Glare, a book of poems. This work was compiled while the Baums were living in Chicago. He installed a small printing press in his home, upon which he printed the book entirely without assistance, and each one of a coterie of intimate friends contributed to the manufacture of the book, donating paper, ink, book- ends and even the thread used in binding. Later he wrote another decidedly entertaining volume, Tamawaca Folks, woven around friends surrounding his family at a Michigan summer resort. This was followed by Father Goose—His Book, and then by the most famous of all his works, The Wonderful Wizard of Oz.

"He married, in Fayettville, New York, November 9, 1882, Maud Gage, whose mother, Matilda Joslyn Gage, wrote considerable woman's suffrage literature and who was a co-worker with Elizabeth Cady Stanton and Susan B. Anthony in the editing of The History of Woman's Suffrage. Four sons were born of this union: Frank Joslyn, who served in France as an officer of Heavy Artillery; Robert Stanton, an officer in the Engineer Corps; Harry Neal, a resident of Chicago, and Kenneth Gage of Los Angeles. It was while these sons were still lads that Mr. Baum conceived the idea which lead to the creation of the Oz characters. He had been in the habit of telling stories to his children and those of his neighbors, his favorite tales being fancifully woven around a wonderful cast-iron man, which later became the famous Tin Woodman of Oz. From this start the stories grew and developed, and Mr. Baum occasionally wove in a "scarecrow" or some other odd character as his prolific fancy dictated. These stories eventually came to the ears of his friends, who urged him to place them into connected form and publish them; and thus came into being the famous series of Oz stories.


"The Wonderful Wizard of Oz took the country, as represented by its juvenile readers, literally by storm. It was followed in chronological order by A New Wonderland, The Songs of Father Goose, The Army Alphabet, The Navy Alphabet, American Fairy Tales, Dot and Tot of Merryland, The Art of Decorating (a technical work for window trimmers), The Master Key, The Life and Adventures of Santa Clans, The Enchanted Island of Yew, The Magical Monarch of MO, The Marvelous Land of Oz, The Woggle Bug book, Queen Zixi of Ix, Animal Fairy Tales, John Dough and the Cherub, Ozma of Oz, Dorothy and the Wizard, Baum's Fairy Tales, The Road to Oz, The Emerald City of Oz, Baum's Juvenile Speaker, The Sea Fairies, The Daring Twins, Phoebe Daring, Conspirator, Sky Island, Little Wizard Series, Patchwork Girl of Oz, Baum's Snuggle Tales, Tik Tok Man of Oz, Scarecrow of Oz, Rinkitink in Oz, Babes in Birdland, The Lost Princess of Oz, The Tin Woodman of Oz and The Magic of Oz. Upon his death Mr. Baum left some completed manuscripts which his publishers will announce as posthumous works for the future.

"During his career Mr. Baum also wrote under several noms de plume, the "Mary Louise" books, and the "Flying Girl" and "Aunt Jane Nieces" series under the name of "Edith Van Dyne," the "Boy Fortune Hunters" series under the name of "Floyd Aker.s," the "Sam Steele" series under the name of "Captain Hugh Fitzgerald," the "Twinkle Tales" and the "Babes in Birdland" under the name of "Laura Bancroft," and various other books under the name of "Suzanne Metcalf" and "Schuyler Stantbn." He left a book dedicated to each one of his children and grandchildren, while the most popular of all his works, the "Wonderful Wizard of Oz," is dedicated to his wife.

"Having spent many winters in Southern California, about 1909, Mr. Baum decided to live here permanently and built a residence at 1749 Cherokee Avenue, Hollywood, where he made his home. "Ozcot" as it is known, is one of the attractive and unique dwellings in Hollywood, surrounded by a beautiful garden in which Mr. Baum delighted to work. He became known as the amateur king of chrysanthemums of Southern California, his dahlias and chrysanthemums in which he specialized, having taken over twenty silver cups at numerous flower shows. A well stocked aviary and fish pond, both of which Mr. Baum built, and a summer house in which many of the Oz books were written, are also in this enclosed garden.

"While living at Macatawa, on Lake Michigan, he owned a summer home which he named the "Sign of the Goose." For this house he made all the furniture, the brads used in the manufacture thereof being in the form of brass geese. The border trimmings in the rooms were stenciled geese, and a large glass window portrayed an immense goose in colors.

"Mr. Baum was a man who was conversant with many subjects, was appreciative of good music and had a highly developed artistic sense. In politics he never allowed himself to be bound by party ties, but gave his vote to the candidate whom he deemed best suited for the office.

"His social connections included membership in the Los Angeles Athletic Club, and the Uplifters of Los Angeles, the Chicago Athletic Association and the Players Club of New York. After having suffered severely for fifteen months with a serious illness, Mr. Baum quietly passed to his final rest May 6, 1919."

From: Los Angeles: From the Mountains to the Sea by John Steven McGroarty (1921)

Photo credits:
"The Woggle Bug": Hungry Tiger Press (amazing vintage items for sale)

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One Fantastic Chicago History Fan

May 3, 2010


Jim Flynn loves Chicago. He's a South Side Irishman through and through, a long time White Sox fan, and one of the city's finest - a member of the Chicago Fire Department. Doesn't get more Chicago than that! But, Jim also loves Chicago history, and when he saw my recent post on "Big Mary," he was kind enough to contact me.

"It always amazes me," wrote Jim, that so many Chicagoans know so little about the Columbian Exposition. What is probably more disheartening is that so few people have ever even seen the Statue of the Republic. I always felt that it is one of the most beautiful symbols of our city."

Jim's interest in Chicago's past began early. "I first became interested in the Exposition way back in high school when I realized that the Museum of Science and Industry was originally built as part of fair grounds for the Expo. Then when I learned how Chicago was almost literally brought back from the ruins of the fire in 1871, I was hooked.

"I can't say that I'm necessarily a collector. I just enjoy reading history and seeing how what happened over a hundred years ago shaped the city that I love so much." And, Jim is proud to show his love for the city every day. In fact, he wears his heart on his sleeve; under it, to be exact.



Please note the addition of the "Y" to the artwork; the municipal device symbolizes the three branches of the Chicago River which converge at Wolf Point. (It can be found all over the city if you look carefully.)

I do believe we have found "Big Mary's" biggest fan, and I'm sure he would be Kat Von D approved. It is a beauty, Jim! Thanks for sharing!

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Big Mary: So, How Big Was She?

May 1, 2010

Today marks the 117th anniversary of Chicago's Columbian Exposition. It was a big deal. In fact, everything about the Fair was big, including Daniel Chester French's Statue of the Republic, a.k.a. "Big Mary."

French's 65 foot tall statue dwarfed every other sculpture at the Fair. And, while the 24 foot tall replica (dedicated in 1918) that stands at the former site of the Administration Building in Jackson Park provides an admirable glimpse of the original's majesty, it doesn't really provide a good reference to scale. So, think about this. The famous Chicago Picasso standing in Daley Plaza is 50 feet tall; 15 feet shorter than Mary. But, a picture is worth - well, you know...so...


(From: The World's Columbian Exposition: The Chicago World's Fair of 1893 by Norman Bolotin & Christine Laing, University of Illinois Press, 2002.)

So, why is the Statue of the Republic often referred to as "Big Mary?" I honestly don't know for sure, but I suspect it is in reference to "Marianne," the national emblem of France.

The Statue of the Republic

ENGIRT with dreamful beauty thou didst stand,
By day and night illumined, and to thy feet
The gathered nations thronged with homage sweet —
The world's hope shining in thine outstretched hand.
The nations left thee there upon the strand
To isolation splendid and complete;
The flames rose round thee with their withering heat,
And touched thy flashing beauty to a brand.
Yet still unscathed thy spirit could not die;
And o'er the land thy rising genius leads
And summons all to freedom and the sky.
Like thine own eagle that no respite needs
But sunward mounts with ever clearer eye,
Thou dost persuade to high and higher deeds.

Horace Spencer Fiske
From: Ballads of Peace and War (1918)


Recommended reading:
The Gilded Lady of Jackson Park (Lee Bey)
Daniel Chester French
The Republic
Brooklyn Museum: Collections: Libraries and Archives: Chicago World's Columbian Exposition

Photo credits: The Republic in Jackson Park, Chicago, IL, USA; J. Crocker, photographer

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About Me

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a.k.a. Sharon Williams. I'm a frustrated amateur historian, bibliophile and student with an unnatural and utterly romanticized view of Chicago's history. So sue me... Feel free to contact me with any questions, comments, requests or appropriate articles. Contributors are always welcome.

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