September 30, 2008

Chicago and the Great Depression


Chicago Tribune, October 24, 1929

Call this a "public service post." Current events have sparked an interest in Chicago during the Great Depression, so I've compiled a list of a few sites that may be helpful for those seeking an informational snack.

A couple of things struck me as I was surfing. The 1933 Century of Progress Exhibition was built and held during the Depression. The second was that the Republicans were in office when it began and it took a Democrat to clean up the mess. I'm just saying...


Chicago Tribune, October 25, 1929 (Kind of appropriate. How 'bout that Bears' game last week?)


During the Great Depression preceding the passage of the Social Security Act, "soup kitchens" provided the only meals some unemployed Americans had. This particular soup kitchen was sponsored by the Chicago gangster Al Capone. (From: Social Security Agency/History)

Recommended Reading:

Chicago During the Great Depression: Roosevelt University External Studies Program

Great Depression: Encyclopedia of Chicago

Face-to-Face with the Great Depression: Chicago History Museum, Classroom Resources, Grades 6 to 12

“Adrift in the Great Depression” (1990)by Lizabeth Cohen

The Great Depression: JAZZ: A Film by Ken Burns

The June 1932 Chicago Banking Panic by Charles W. Calomiris, Joseph R. Mason

September 29, 2008

What I Don't Know Makes Me Mad

Today's post was supposed to be in honor of the American Library Association's "Banned Book Week" which began on September 27th. Chicago writers Richard Wright (Native Son), Ernest Hemmingway (For Whom the Bell Tolls), Upton Sinclair (The Jungle) and Theodore Dreiser (An American Tragedy) have all had their work banned at one time and I wanted to do something on banned Chicago literature. Makes sense. Unfortunately, I've gotten a little side-tracked.

Hoping to find some interesting tid-bit in the historic Chicago Tribune I did a search for Dreiser's Tragedy. I found a scathing review by Fanny Butcher on January 2, 1926 that I would really rather not talk about:

To me, Theodore Dreiser's books have no beauty. They are always badly written. Mr Dreiser has no more sense of the beauty of words than he has of some remote and unknown bit of sculpture in the wilds of Africa which he has never seen. He is simply tone-deaf to words as Catherine the Great was to music.

Ouch! I did find some display ads, however, that included recommendations that were considerably more generous towards his work.



One page of book ads caught my eye. It was in the December 4, 1926 edition of the paper (from which the above ad was taken) and the publishers were pushing their new books for Christmas giving. Included was a new book by a young Chicago author then living in Europe:

A new edition of Willa Cather's My Antonia was just released as had been a book titled, Our Times: The Turn of the Century by someone named Mark Sullivan. Never heard of him...



Our Times sounded interesting. I'm always looking for nonfiction books about the turn of the century in order to better put Chicago in context with the country. I did a search to see if by chance the book was still available.

Here's what I found.



Our Times: The United States, 1900-1925 is a six-volume social history written by Mark Sullivan (1874-1952) and published between 1926 and 1935. Sullivan was a highly respected journalist and Republican political pundit who wrote for the New York Herald Tribune and who Time Magazine heralded as "An Average American" in a November 18, 1935 cover story on the author coinciding with the publication of Volume Six:

Whether they applaud or snort at his political outpourings, most U. S. citizens were grateful to Mark Sullivan last week for a tremendous twelve-year job of historical research and reminiscence which he had just brought to completion. In the six fat volumes and 3,740 pages of Our Times, of which Volume VI ("The Twenties") was published last week,* Author Sullivan has presented a superb newsreel of the U. S. from 1900 to 1925—its heroes, its villains, its ideas, its sensations, its fun, fads & fancies. "The purpose of this narrative," wrote he in the first sentence of Volume I, "is to follow an average American through this quarter-century of his country's history, to recreate the flow of the days as he saw them. . . ." Mark Sullivan proceeded, necessarily, to recreate those days as he had seen them, achieved his purpose so well that to his contemporaries Our Times is genuine and nostalgic as a family album. The natural conclusion is that Mark Sullivan, as nearly as any individual can be, is "an average American" of his generation.

And I had never heard of the books or the man. Good grief!

The bad news is that the book(s) is/are, indeed, out of print. Used copies can be found on Alibris, I'm happy to report. Also available is Dan Rather's condensed version of Our Times, which he describes in an American Heritage article (May/June 1996). Personally, I'm going to seek out the set.

What I can't understand is why I have never heard of Sullivan or his monumental work? I'm not exactly unread, but it took a chance encounter with an old newspaper ad for me to discover this gem. Frustrating. So much to learn; so little time.

So, the bottom line is you aren't getting an American Library Association post. You aren't even getting a real Chicago history post. What you are getting is an example of how an amateur historian stumbles her way down the path to knowledge...and it ain't pretty.

And, oh ya. Be a rebel. Read a banned book.

UPDATE: Internet Archive has one volume of Sullivan's Our Times series; Volume 6, The Twenties.

Photo Credit: Our Times books shown on One of a Kind Antiques website

September 18, 2008

Chicago History Short Takes

Note to Readers: My apologies for the lack of posts this week. My Marine son is home for ten days, and he trumps blogging any day! (Also, Blogger seems to be having some issues the past couple of days. Ugh!) In the meantime, I offer these "short takes" for your reading pleasure:

The crime of the century in song? Thrill Me: The Leopold & Loeb Story is a musical by Stephen Dolginoff first presented in 2003. For more on the musical, visit the Official Website and check out a video excerpt from the New Jersey premiere. YouTube even has scenes from the musical with a Korean cast.

Happy Birthday to Louis Sullivan! The beloved Chicago architect was born on September 3, 1856. Celebrate by clicking on his link set in the left column.

The Shortlines of Chicago Historical Society "is a group that is preserving historical information about industrial and shortline railroads in the Chicago metropolitan area..."

PrairieMod continues to be an outstanding resource for Frank Lloyd Wright and other architectural news. For example:

Wright In Racine: Sullivan's Bank
Taliesin's Organic Architecture
Love Letter To Sullivan's Auditorium

Be sure to check out their "Freebies" page. It includes some great free architect inspired fonts that you can download. One font is called "Shining Brow."

A group of DePaul University students have a website/class project on Chicago and the Influenza Epidemic of 1918. Further reading: PUBLIC SCHOOLS OF CHICAGO DURING INFLUENZA EPIDEMIC, 1918 by H. 0. Jones, M. D., Dept. of Health, Chicago, Ill.

On Wednesday evening I attended a booksigning for Phyllis Kozlowski's The Chicago River Architecture Tour published by Lake Claremont Press. Kozlowski is currently the Director of Education and Guest Services at Wendella Boats, which has been providing tours on the lake and river since 1935. The event was held on board the group's newest boat, - The Wendella, and the book is a good companion/souvenir of the architecture tours. I particularly liked the fact that there is room for notes. It really was a lovely evening and Lake Claremont is commended.

September 16, 2008

For the Thrill of It by Simon Baatz: Book Review

1924 was a bloody year in Chicago history. There had been 86 murders in the first ninety-one days of the year, reported the Chicago Crime Commission on May 3rd, and the situation was quickly "approaching a point beyond the control of the authorities."

At the beginning of May, Crime reporters were busier than ever and a public thirsty for every drop of sensationalism were gleefully lapping up the details printed in the newspapers:

Beulah Annan, the Jazz Age beauty, was in jail for murdering her lover, Harry Kalstedt on April 3rd and was awaiting trial. The jury selection would begin later in the month.

Al Brown was being sought for the murder of beer runner/burgler Joseph L. Howard. Howard had been shot four times in the face and twice in the shoulder and witnesses were said to have seen Brown running from the scene. Brown was also known as Al Capone. The witnesses later had some memory problems.

There were many murders and trials being reported, notable and not, but then, on May 23, 1924, the following plea appeared in the Chicago Daily Tribune:


and Beulah and Al were eclipsed by the headline:
"Kidnapers Slay Son of Millionaire and Place His Body Beneath Culvert on Far South Side."

In a few days Chicago would be shocked to learn that Nathan Leopold, age 19 and Richard Loeb, age 18, two unusually intelligent boys from prominent Chicago families, had kidnapped 14 year old Bobby Franks on his way home from school and brutally murdered him. They willingly confessed to the crime. But more shocking than the murder was the motive. There wasn't one. Leopold and Loeb killed Franks just to see if they could and get away with it.

The Leopold and Loeb story captured the nation's attention in 1924 and it still does. Simon Baatz's new book, For the Thrill of It: Leopold, Loeb, and the Murder That Shocked Chicago is on the New York Times extended Best Seller list and provides a fresh, exhaustively researched yet absorbing account of the murder to readers 83 years later. (Most of you reading this blog are familiar with the Leopold and Loeb case so I am not going to rehash it. For more information, see the links in the left column.)

Baatz, a professor at John Jay College of Criminal Justice, grabs the reader's attention from the first chapter, when the frantic Franks family hears the knock on the door dreaded by every parent. From there, every individual related to the case is brought to life in such a skillful manner that, even for those familiar with the incident, the story comes alive. Baatz's book is a page-turner; pure and simple.

What I liked best was the book's tone. It is neither sensationalistic or dry, but manages to maintain a balance that is engaging and informative. That is not always easy to do. There is no new conclusion, so don't look for one. As in 1924, no one understands the cold-blooded randomness and purposeless of the crime. It was, as Baatz's title indicates, simply for the thrill of it.

I highly recommend For the Thrill of It to anyone interested in Chicago's history, Chicago during the 1920s, Chicago crime and, frankly, anyone who just wants a great nonfiction read. It's that good.

Recommended reading:

Browse Inside For the Thrill of It

YouTube Video Preview

September 12, 2008

Urbs in Horto

Urbs in Horto” (City in a Garden), Motto of the city of Chicago adopted in 1837 and appears on Chicago's Corporate Seal. The Chrysanthemum is Chicago's official flower.

I worked as a landscaper/gardener for about five years, so a book that combines horticulture, history and gardening makes me happier than a Pelargonium (geranium) in compost. Cathy Jean Maloney's new release, Chicago Gardens: The Early History, covers Chicago's rich horticultural heritage "from the first vegetable plots at Fort Dearborn to innovative garden designs at the 1933 World’s Fair."

I've just received the book and have only "green-thumbed" through it, but I can already tell it is going to provide rich fodder for future posts. A review will be forthcoming, but do check out the University of Chicago Press website for the book preview and Five Legacy Gardens from Chicago Gardens.


Now, I've got a little story from my gardening days that I'd like to share.

As I said, I worked as a landscaper/gardener for a few years. (I've had a very "mosaic" career.) It was basically only myself and the company owner, but we did very well and had many distinguished clients. One of our clients was Lois Weisberg. Yes, THAT Lois Weisberg.

One spring day we were working at Lois' lake shore home. I think I had just cleaned out her little pond because I recall that I was covered in muck and sweat. Not a pretty sight - or smell -, if you get my drift.

All of a sudden, here comes Lois down the steps to the garden. I glanced up and noticed there was another woman with her.

"Sharon," Lois called. "Come say hello to Maggie."

Yep, you got it. It was Maggie Daley, the Mayor's wife; First Lady of Chicago.

Ever had one of those moments where you would very much like the earth to open up and swallow you? Well, Mrs. Daley was extremely gracious, and we had a lovely talk. She had just returned from the Chelsea Flower Show and had a flower named after her (I think it was an astilbe or maybe a rose.) I won't ever forget that moment because, for me, standing there with Lois Weisberg and Mrs. Daley, I was with the city of Chicago in a garden.


Recommended reading:

Gardening (Encyclopedia of Chicago)
Park Districts (Encyclopedia of Chicago)
Prairie Farmer (Encyclopedia of Chicago)
The Project Gutenberg EBook of The Prairie Farmer, Vol. 56, No. 2, January 12, 1884, by Various
World Business Chicago, "Urbs in Horto," September, 2006

September 11, 2008

A Tiny Fish in a Very Big Pond


In a blog post titled, "100 Awesome Blogs for History Junkies" on the BestCollegesOnline.com website, I was surprised and pleased to note that "Chicago History" was included. (I'm going to take about two seconds here for a "hurray for me" moment.) There are millions of blogs on some aspect of history in the Internet pond and "Chicago History" is but a wee minnow, so I'm thrilled to be noted anywhere!

That being said, I have no idea who Jessica Merritt is or even the organization or individuals responsible for BestCollegesOnline. There's no "About Us" on the page. But, I have to admit, I like Jessica's taste in history blogs. There are some excellent choices on her list - many by bloggers I call friends - and I thank her for the inclusion. Check it out, fellow history junkies.

September 10, 2008

Everything But the Squeal: Swift's Wool Soap, et al


Is it used to clean wool?
Is it made of wool?
We can only puzzle on why Swift & Co, founded by Gustavus Swift and one of Chicago's giant meat packers and producer of so many meat by-products, named this cleansing aid "Wool Soap." It seems the public at the turn of the century was also confused and Swift had to work hard to "clean" up the issue.



The back of this beautiful card reads: "Wool Soap for Toilet and Bath. There are many people who suppose that, because of its name, Wool Soap is intended for washing woolens only. This is a misconception which Swift & Company are especially desirous of rectifying. Wool Soap is pre-eminently a toilet and bath soap. It is made of carefully selected materials in a new and thoroughly modern soap factory, and embodies all that is good in soap making. We are large producers of prime tallow, and none but our most carefully selected stock enters into the manufacture of Wool Soap ..."

"They don't waste anything here," said the guide, and then he laughed and added a witticism, which he was pleased that his unsophisticated friends should take to be his own: "They use everything about the hog except the squeal." (From The Jungle by Upton Sinclair)

The extent of Swift products was impressive. By 1925 Swift not only produced hams, bacon, pork sausage, frankfurts and dried beef, but also:
Swift's Silverleaf Brand Pure Lard
Swift's Jewel Shortening
Swift's Premium Oleomargarine
Gem Nut Margarine
Brookfield Butter, Eggs and Cheese
Buttercup Cheese
Maxine Elliot Toilet Soap
Classic Soap
Quick Naptha
Arrow Borax Soap
Sunbrite Cleanser
Swift's Pride Washing Powder
Red Steer and Vigoro fertilizers
and, of course, Wool Soap

No doubt there was at least one Swift product in almost every house in Chicago, but they were also known around the world - even to the ends of the earth:



Recommended reading:

"Everything But The Squeal" on Red Star Cafe

Photo Credits:
Absolutely Pure: Duke University Libraries Digital Collection; Emergence of Advertising in America, 1850-1920; J. Walter Thompson

Lady in Classic Gown: The Kansas City Public Library, Missouri Valley Special Collections; ca. 1880-1900

MacMillan in the Arctic: Chicago Daily Tribune, July 14, 1925

September 8, 2008

Labor and the Lady: An Unusual Pairing


On January 12, 1907, Mrs. Potter Palmer served as hostess to approximately 500 guests at the Palmer's Lake Shore Drive mansion. As the first lady of Chicago society the event would not be considered unusual. But, this one was. It was to be a conference of labor leaders and employers and presided over by National Civic Federation Secretary, Ralph M. Easley. The meeting was announced on January 8th and by the next day, 200 acceptances had been received and were still flooding in from around the country. Participants had to be limited to 500 because of the size of the room at the Palmer residence where the meeting was to be held. It was reported that while Mrs. Palmer had a deep personal interest in the success of the program she would not actively participate and serve only as hostess.

While business and labor leaders around the country were eagerly flocking to the conference, at least one person saw the paradox in the affair:


Letter to Mrs. Potter Palmer from Mother Jones, January 12, 1907
Published in Miners Magazine, January 24, 1907.

Welton Place, Chicago, Ill
January 12, 1907
Mrs. Potter Palmer
100 Lake Shore Drive Chicago, Ill.
Chicago, Illinois


Dear Madam:
By the announcement of the daily press I learn that you are to entertain a number of persons who are to be present as representatives of two recognized classes of American citizens-the working class and the capitalist class, and that the purpose of this gathering is to choose a common ground on which the conflicting interests of these two classes may be harmonized and the present strife between the organized forces of these two classes may be brought to a peaceful and satisfactory end.

I credit you with perfect sincerity in this matter, but being fully aware that your environment and whole life has prevented you from seeing and understanding the true relationship of these two classes in this republic and the nature of the conflict which you think can be ended by such means as you are so prominently associated with, and with a desire that you may see and understand it in all its grim reality, I respectfully submit these few personal experiences for your kind consideration.

I am a workman's daughter, by occupation a dress-maker and school teacher, and during this last twenty-five years an active worker in the organized labor movement. During the past seventy years of my life I have been subject to the authority of the capitalist class and for the last thirty-five years I have been conscious of this fact. With the years' personal experience - the roughest kind best of all teachers - I have learned that there is an irrepressible conflict that will never end between the working-class and the capitalist-class, until these two classes disappear and the worker alone remains the producer and owner of the capital produced.

In this fight I wept at the grave of nineteen workers shot on the highways of Latterman, Pennsylvania in 1897. In the same place I marched with 5,000 women eighteen miles in the night seeking bread for their children, and halted with the bayonets of the Coal and Iron police who had orders to shoot to kill.

I was at Stanford Mountain, W.Va., in 1903 where seven of my brother workers were shot dead while asleep in their little shanties by the same forces.

I was in Colorado at the bull pens in which men, women and children were enclosed by the same forces, directed by that instrument of the capitalist class recently promoted by President Roosevelt, General Bell, who achieved some fame for his declaration that 'in place of Habeas Corpus' he would give them 'Post Mortems.'

The same forces put me, an inoffensive old woman, in jail in West Virginia in 1902. They dragged me out of bed in Colorado in March, 1904, and marched me at the point of fixed bayonets to the border line of Kansas in the night-time. The same force took me from the streets of Price, Utah, in 1904, and put me in jail. They did this to me in my old. age, though I have never violated the law of the land, never been tried by a court on any charge but once, and that was for speaking to my fellow workers, and then I was discharged by the federal court whose injunction I was charged with violating.

The capitalist class, whose representatives you will entertain, did this to me, and these other lawless acts have and are being committed every hour by this same class all over this land, and this they will continue to do till the working-class send their representatives into the legislative halls of this nation and by law take away the power of this capitalist class to rob and oppress the workers.

The workers are coming to understand this and the intelligent part of that class while respecting you, understand the uselessness of such conferences as will assemble in your mansion.

Permit me to quote from [Oliver] Goldsmith's 'Deserted Village," where he says:
Ill fares the land, to hastning ills a prey,
Where wealth accumulates and men decay.
Quite appropriate to this fair land to-day.

Sincerely yours, for justice,
Mother Jones

Subsequent reports on the conference seemed to illustrate that the meeting was fruitful. There was one sticky point however. According to the Chicago Tribune:

The question of refreshments threatened to intrude itself for a time, but this matter was settled definitely when the committee in charge decided to leave the entertainment of the guests entirely to Mrs. Palmer's discretion.


One of the results of the conference was the formation of the Milliners' Union of Chicago, announced several days later at Hull House. According to its backers, Mrs. Palmer and "a score of other society women," have agreed to demand that their $250 dollar picture hats bear a union label.

Photo Credit: Mother Jones, The Illinois Labor History Society

September 4, 2008

An UnCommon History Site


One of the reasons I began this blog was to provide a portal site with links to relevant Internet pages pertaining to Chicago history. Since Chicago history is also American history, I include websites that help to place Chicago in the broader context, provide insight into the country's past, and connect history to the present. In short, I like to share the history goodies I find on the Web.

I first became aware of Common-Place, The Interactive Journal of Early American Life, when I was researching Theodore Dreiser's Sister Carrie. (It seems I'm always reading something on Sister Carrie!) An article by noted Northwestern University professor Carl Smith in the July, 2003 issue of Common-Place popped up: Where All the Trains Ran: Chicago. Be sure to read it.


Common-Place is sponsored by The American Antiquarian Society in association with the Florida State University Department of History. The focus of the site is American history pre-1900 and they describe the site as being, "A bit friendlier than a scholarly journal, a bit more scholarly than a popular magazine..." Common-Place, first published in September of 2000, is for enthusiasts of every calibre - from academics to history hobbiests like myself. It is a particularly useful tool for teachers. Read more about the journal's purpose at "Why a Common Place?")

In addition to great articles, that always include suggestions for further reading, you will find book reviews, a Web Library (An annotated selection of Web resources in American History.), a previous issue archive and the new Common-Place CoffeeShop discussion board. The Common-Place Journal is published quarterly, in October, January, April, and July. I encourage you to join the mailing list. You won't want to miss an issue.

An Early Beauty Entrepreneur: Who Was That Girl?

Is anyone familiar with Lucille Young? The product? I ran across this picture on the Reggie's Victorian Trade Card Album website (interesting site, I might add). What caught my eye was the address of the manufacturer/supplier: 2703 South Park Ave., Chicago. In addition to the Bust Development Treatment ("Develops Firmness and Plumpness of the Bust." I'll let you make up your own jokes.), Lucille had a beauty line that included: Wrinkle Treatment, Hand Beautiful Treatment, Skin Cleanser, Wrinkle Masque and Masque. All the products carried approximately the same sepia-toned label. (Click here for an eBay auction showing them all.)


There was an early silent film star by the name of Lucille Young and it would make sense for a screen siren to endorse these types of products. The picture to the right is dated 1924 and taken by someone named Carpenter. I've been wondering if it was the same person. Of course, it is quite a common name so the two may be unrelated entirely. Anyone out there have any info on the address, product or Ms. Young? Let me know. I'm busting with curiosity.

Lucille Young Photo Credit: University of Washington Libraries Digital Collections

September 3, 2008

New CHM Blog in the History Hood


File this one under "What took you so long?"

The Chicago History Museum has a new blog. It's more marketing and PR for the museum exhibits than history, but that may be their sole purpose. And, there is nothing wrong with that, I suppose. I'm personally hoping, however, it will evolve into something a bit more. There is a link to the Encyclopedia of Chicago, but perhaps selecting an item from their vast collections or focusing on an interesting topic and providing a brief bit of historical background would serve them better. (Oh wait! I'm sort of doing that!)

As of this writing there are only three posts: two videos of staff members (huh?) and a set of pictures from their Chic Chicago: Couture Treasures exhibit. Since the blog is SO new, and I am but a lowly blogger/Chicago history buff, I may be extremely premature in my criticism/loving suggestion. For all I know, they could be busy doing precisely what we would expect- writing a Chicago History Museum blog on, well, Chicago history.

What a concept...

Photo Credit: Former Chicago Historical Society Building

September 1, 2008

The Chicagoan's First Cover Artist: Boris Riedel


On June 14, 1926, curious Chicago residents scanning the racks of local newsstands might have noticed a newcomer. Enclosing only thirty-two pages, with just 5,900 copies available, the magazine’s striking three-color cover bore the signature of an obscure local illustrator, Boris Riedel. It presented a familiar if somewhat grotesque architectural tableau. Local skyscrapers, some recognizable, others under construction, swayed dramatically in a fearsome wind. Behind them, hand uplifted, loomed a policeman, balanced elsewhere by a newspaper headline screaming about gunmen. A traffic signal, theater marquee, advertising sign, elevated train, typist, and scurrying miniature figures, dwarfed by the huge buildings and encircled by cyclopean passageways, added to the scene, alongside other municipal details. Above them all, against a lurid yellow background, in razor-thin scarlet letters, The Chicagoan proclaimed its identity. (From: The Chicagoan: A Lost Magazine of the Jazz Age by Neil Harris, University of Chicago Press)

I got curious. Who was this "obscure local illustrator" chosen for The Chicagoan's first cover? Who was Boris Riedel? Here is what I've found so far...and it isn't much.

Boris Riedel was Austrian.


In 1924 he was also the illustrator of J. U. Nicolson's Sainted Courtezan published in Chicago by Pascal Covici. (Quite similar in style to The Chicagoan cover.) The connection to Covici is interesting.
Covici had published Ben Hecht's novel Fantazius Mallare: A Mysterious Oath in 1922, which was considered obscene and seized by the US postal authorities. Hecht, the illustrator Wallace Smith and Covici were all arrested. Covici later published Hecht's 1001 Afternoons in Chicago. And, to top it off, the editor of The Chicagoan , for which Riedel did the cover, was none other than Marie Armstrong Hecht, the former wife of Ben Hecht. The couple had divorced in 1924.


Riedel's other Chicago work included a cover for Richard Henry Little's Linebook series. (The photo at left is Boris Riedel, cropped from a December 19, 1926 Chicago Daily Tribune photo titled, "Linebook Night on W-G-N!")Little's Linebooks, collections of stories, poems and humor garnered from his newspaper column, "A Line O' Type or Two," were published by the Chicago Tribune from 1924 to 1940. Riedel did the 1926 cover - the year The Chicagoan first hit the stands.


But, Riedel was more than an "obscure Chicago illustrator." It seems he was also an obscure Hollywood illustrator who did movie posters as well as portraits of actors.

That's it. That's all I've got right now on our obscure artist, Boris Riedel. I could probably find more if I took a bit longer to dig, but I'm going to guess Professor Harris is going to have more information on this sadly forgotten artist in the pages of The Chicagoan.

Photo Credits:

Illustrations from Sainted Courtezan: Nicklaus Book Store eBay Auction (Several more illustrations are available for viewing on the auction listing.)

See R. H. Little's Linebook covers here.

Additional movie posters can be viewed on Artnet.